Author Archive: Leigh Bernstein

Post-Think Tank ’09: Thoughts from Emma’s Designers

:: The Better Late Than Never Edition ::

thinkTANK aiga NashvilleEmma and Adobe recently co-presented AIGA’s Think Tank Conference in Nashville. This conference may have been just a one-day event, but boy, did it a pack a punch. With 4 main sessions, the speakers included the dynamic duo, Jennifer and Ken Visocky O’ Grady, Dave Werner, Ian Dapot, and the lovely Paula Scher, who closed the day out.

Here at the Emma office, we were especially floored about this event, as it was the first design conference that our entire design team has been able to attend. Everyone on our team had such inspired and varying feedback, that it seemed only appropriate to share the love:

Lauren Johnston: The part that particularly stuck out to me was emphasis on process work, brainstorming, and research to initially organize design ideas. Usually, I mess around with my design on the computer until I get something I like. A lot of the speakers chatted about the importance of  sketching and mindmapping to really hone in on a particular thought. Then, taking your process work to the client helps to communicate the design direction more clearly.

Researching seemed to be a key part of the process as well. Paula spoke about researching particular environments and spaces before designing it. Ken and Jenn chatted about the importance of researching the clients company and style to have a more successful outcome. I really enjoyed the conference overall. It really inspired me to get moving on some projects and to revisit my portfolio.

thinkTANKDaniel Brown: There was a lot that really stood out but I think one of the main things for me was the IDEO guy [Ian Dapot] saying that he only likes 1 thing out of 10 that he does. So, DO a lot. I can be inclined to not do something if I don’t think it will turn out well but that’s a bad way to look at it. You never know when something will take a turn for the awesome, so the more you do, the better your chances are of making something great.

Jennifer Crigger Kasdorf:
As designers, we generally take criticism about our work more than the average person. Use the criticism as a way to grow and to see your designs in a new light. – Jenn & Ken Visocky O’Grady
Problem-solve in creative ways. Sometimes we do need breaks, so take them! You might be surprised with the results. – Jenn & Ken Visocky O’Grady
+ “The Harder I work, the luckier I get.” – Thomas Jefferson (Dave Werner)
+ Self-promote. Be honest. Be yourself! – Dave Werner
+ Be inspired by your work. – Ian Dapot
+ Sometimes you have to design through the problem to see the solution. – Ian Dapot
+ Find new ways to create, new ways to be passionate about your work. -Paula Scher
+ Create for you. – Paula Scher
+ Surprise yourself. – Paula Scher

Jessica Saling: I really liked Paula Scher when she discussed creating a distinct style. At one point, her brand identity for the Public Theatre was ultra-successful. People liked it so much they actually starting mocking the style all around the city. While this was a compliment to Paula, it destroyed the brand. After the style caught on to many designs around town, the Public Theatre lost its presence.

thinkTANKThis really spoke to me to always think about the context your work is displayed. Design can change its effect with the time or place. Designers need to always see the whole picture and not just the design. Also, while design can be effective at one time, it can quickly lose its effect if we don’t pay attention to what changes around us.

Elizabeth Williams: I was really impressed with the varied perspectives of each speaker. They each brought something different and thoughtful to the table without too much overlap.

I feel that the motivation to take risks is what I really took away from the conference. A couple of quotes I enjoyed: one from Ian Dapot who encouraged us to start, “exploring what you don’t know, NOT exploiting what you have”, and one from Albert Einstein via Jen and Ken reminding us that, “Imagination is more important than knowledge”. It’s easy to fall into the same routines and tricks that you feel comfortable with, but it takes much more courage and gumption to build upon the ideas stored in the “probably absurd zone” of your brain. So, three cheers for risk taking motivation!!!

Kelly McClain: During the Q&A discussion, someone asked all the speakers to share a piece of advice that’s stuck with them, and one of the panelists said how one of his instructors once told him that “everyone has the same 24 hours.” It’s a nice reminder that if you manage your time properly, you can complete even the most daunting projects that as long as it’s humanly possible, you have the same amount of time within each day that any other human capable of completing the task would have.

thinkTANKTaylor Schena: I liked with Ken and Jenn’s speech where they talk about how what you contribute is more than just the final piece and with OkayDave’s, where he talked about doing interesting things that aren’t related to your portfolio/body of work. Also, I enjoyed Paula Scher where she talked about how she did work to pay the bills and the work she loved on the side. I think it helps to keep a designer fresh and not burn out.

Jimmy Thorn: I think the thing that sticks out the most was Paula telling me to work the jobs to make money to afford the luxury of doing the projects you really feel strongly about, and to never let a project that you feel passionately about go by the wayside. She said that she would design 135 record covers a year, and be truly happy with five, but those five were her passion projects. I like that.

As for me, one topic that seemed to come up in one form or another, is the fact that a good designer usually spends the least amount of their time on the actual design. I was reminded how many other variables are so important to the design process and when one covers all these other bases, the design usually just flows right out. I believe it was Jenn & Ken who mentioned the phrase, “Design the system, not just the product.” I look forward to focusing more energy on this way of design thinking.

We hope you all enjoy our moments of inspiration and if you’re able to attend Think Tank: 2010, I highly encourage it.


Tips From Photoshop World, Pt.1

picture-21.pngA couple of us Emma designers recently trekked up to Boston for the Photoshop World Conference and boy, did we come back with some goodies. Yes, we received our fair share of totebags and light-up pens, however, the best souvenir of all was the wealth of everyday Photoshop knowledge we acquired. Considering our design team spends a large percentage of the day working in this program, we couldn’t wait to get back to Nashville and try out some of these new methods with our email stationery design. We quickly realized that implementing our new found knowledge would make for a faster, easier workflow and email template designs that were down-right more stylish.

Sharing what we learned with the rest of our team was a given, but why stop there? Heck, let’s go ahead and share with the entire design community. (My kindergarten teacher would be so proud.)

In an effort to keep this information digestible and shorter than the actual Photoshop World Guidebook itself, we’ve picked out 6 topics that we think you’ll really like. And to start it off, this first one is short & sweet:

oakland.jpgOne: The very first session I attended at the conference really started the week off with a bang. It was called ‘Painting with Photoshop’ by Bert Monroy. Bert creates these amazing paintings in Photoshop that one would be tempted to call ‘photo-realistic.’ However, Bert’s pieces are considerably more detailed than any photograph ever could be. That’s because his paintings are created at an extremely high resolution and are actually made up of many different files. Use a zooming function on one of his paintings and you will only find more details; whereas in a photo you would quickly find pixels.

Since most of us aren’t sitting in front of our computers creating a thousand layer, hyper-realistic photoshop painting, you might wonder ‘what’s the take away, here?’ Well, the most inspiring thing about Bert’s presentation was that he focused more on his philosophy and thought process rather than on steps to simply copy what he was doing. I really enjoyed the fact that he mostly wanted to share his mentality and then challenged the crowd to apply that to what it is they do.

The funny thing about Bert’s mentality is that while he calls his work ‘paintings,’ he uses the ‘paintbrush tool’ a lot less often than you’d think. Perhaps the reason for this is because he is too busy using almost every other function available in Photoshop. Here are three simple, yet oh-so-useful tips that Bert had to share:

outer glow example1 – Ignore the actual names of certain tools, effects & functions. They can be used for so much more than they like to claim. For example, the ‘Outer Glow’ layer style sounds pretty self-explanatory, but really, what’s in a name? Who says you couldn’t use this to apply a drop shadow that may or may not be better than the actual ‘Drop Shadow’ effect itself?

To do this:
- simply apply an ‘Outer Glow’
- change the blend mode from ‘screen’ to ‘multiply’
- change your color to a darker shade of your choice

It’s also useful to adjust the size, spread, and opacity. The result is a nice even shadow, whereas the ‘Drop Shadow’ option is usually heavier on certain sides.

2 – Push all the buttons. There are certain features in Photoshop I assume are of no use to me and tend to avoid altogether. But as Bert knows, you can be pleasantly surprised by these neglected tools. So just go ahead and push it.

3 – Slide the scale from one extreme to another. If you are experimenting with a tool or adjustment, make sure to test the way it looks at every setting from -100 to +100. This can sometimes result in perfection.

These tips may be simple, but as Bert’s work has so gracefully reminded us, the possibilities with Photoshop really are endless…if you let them be.

Stay tuned for 5 more installments of Photoshop World goodness in the coming weeks!


Font use for a web-safe world.

With only a handful of web-safe fonts out there, I find myself having to get a little creative with what’s available. As you may know, a font that is considered ‘web-safe‘ comes pre-installed on a wide range of computer systems and is used to increase the chance that the content gets displayed in its chosen font. If your recipient does not have the specified font, their browser or email program will select an alternative. The most current list of web-safe fonts include: Arial, Times New Roman, Verdana, Georgia, Comic Sans, Trebuchet and Courier New.

In my quest to take full advantage of these web-safe warriors, I’ve learned a few tips & tricks.

Style tips for web-safe fonts1. Pick a font and stick with it.
While a menagerie of Times New Roman, Comic Sans, and Verdana sounds eye-catching, too many font faces can really take the look of your email ‘over the top.’ Instead, maintain consistency and style by using variations of the same font. There are many ways to explore this method through use of color, weight, and size. It should still allow for plenty of variety within the email and it’ll also make your font choices easier.

2. Create headers with images.
Ever find yourself just wishing that you could use that awesome, free font you just downloaded in your next email? You can always use the font in an outside program and then bring it into your email as an image. I tried out this trick recently to add a bit of jazz, pizazz, whimsy, whatever-you-wills to my header sections. What do you think?

3. Gray’s the new black.
Here’s a new trend in email design: try using medium and dark shades of gray for your body copy color instead of black. It’s a quick and effective way to transform the look of your emails into something a bit more friendly and casual (assuming that’s the look you’re going for).

Hopefully, this ‘moment of fonti-ness’ has inspired you to get out there and get creative with web-safe fonts. Feel free to stop by and let us know what tricks work for you.


Picture this: a great service for prepping your email campaign’s images

Adding photos to your stylish emails can now be a walk in the park with the help of Picnik, a free online service that allows you to edit, crop, & re-size your photos.

picture-1.pngServices like Picnik can add a lot to the look and feel of your email newsletter design. Do you have any large or oddly-sized photos lying around that you’d like to include in an email campaign? With Picnik, you can easily pull those photos from your desktop, scale or crop them to the perfect size and save the new and improved image. Having a consistent image size throughout your campaign will improve the overall aesthetic and increase the readability of the content, not to mention all the positive feedback you’ll receive from your audience members! For an example, check out Ad Age’s email.

picnik_screenshot1.jpgStill not convinced? Here’s another good reason to give this site a try. For those of you who simply want to pull the header from your website and resize it for use in emails, Picnik’s got you covered. In addition to editing photos from your desktop, Picnik enables you to edit them directly from any website (including sites like Photobucket or Facebook ). Type in the URL to your personal or business website and, like magic, all of the images hosted there will appear on Picnik. Just choose the header image & scale it down! We recommend keeping the width of your email header between 600 and 650 pixels.

After using a tool as fabulous as Picnik, you’ll be able to create visually stunning emails in no time. You might even have time for a real picnic…


Good inspiration, better design.

This week, I took a moment to ask my fellow comrades in Emma’s design department to share some web goodness with the rest of the world and share where they go to get inspired. What are some of their sites to live by (or at least design by)? Here are a few gems:

For some good design talk, Jessica never passes up a good read at Speak Up.
“There is always a hot debate about a new design or theory. Reading everyone’s feedback is not only entertaining, but very informative. There are often good tips and tricks mentioned throughout.”

Taylor keeps her homepage locked on goodmagazine.com.
“They’re always really interesting and informative, but usually more on a positive note. I love the design of both the magazine and the site. And they have a blog too.”
This is a great resource for information on topics such as creative ways to do good in the world and the extinction of bananas.

As for me, I like to get my daily dose of inspiration from Design*Sponge. With an average of 6-10 posts a day, the site covers everything that is design, from modernistic chandeliers to typography to where to find a good art gallery in Denmark. Also, the D-I-Y section can bring out the creative in anyone.

What design site keeps you coming back for more? Please leave a comment & inspire us.