But this is actually the absolute best time to focus on your own agency’s marketing and to prepare for the post-Labor Day blast of energy most people and companies have.
So, here’s the marketing project that will prepare you for your own marketing blast. It’s the perfect way to spend the last days of August, while it’s still quiet.
Clean up your lists – all of them. You’ve been meeting people all year – online and off, at networking events, trade shows and online, too – but I’ll bet some of them haven’t made it onto your mailing lists.
Which lists? Indeed, there are so many different types of lists these days that “cleaning up” your list isn’t as straightforward as it used to be. Between the various social media, you’ve probably got contacts scattered everywhere, which is good and bad. Whether they follow you on Twitter or have friended you on Facebook, you still need a reliable and easy way to get your message to everyone in your network. And you need them all in one place so you can reach out to them proactively with your targeted messages.
This week, do any and/or all of the following:
Devote an hour (or more) each day to this activity between now and when things start to heat up again. You’ll be surprised how much you’ll get done … and how good you’ll feel about it. And don’t hesitate to have your favorite poolside drink nearby. That can make the phone calls a little smoother.
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Ilise Benun is an author, consultant and national speaker, the founder of Marketing-Mentor.com and the co-producer of the Creative Freelancer Conference. Her books include “The Designer’s Guide to Marketing and Pricing” (HOW Books), “Stop Pushing Me Around: A Workplace Guide for the Timid, Shy and Less Assertive” (Career Press) and her latest, The Creative Professional’s Guide to Money (HOW Books 2011). She also developed the Start Anytime Marketing Plan + Calendar for the Marketing Mentor Toolbox. Sign up for her Quick Tips, a bi-weekly dose of marketing tips, advice and resources, here.
Describe your agency and what makes you different.
We’re a one-person shop that helps small and some not-so-small companies take advantage of all their communications options, from social media and website content management, to old school, tried-and-true solutions like direct mail. It’s kind of rare to get strategy, writing and design all in one place, without using a large agency.
What’s the most interesting thing you see changing and evolving in your industry?
By far, the most interesting thing is how technology is giving businesses of any size the ability to do the same kinds of marketing that used to be reserved for places with bigger budgets. Change is the operative word — daily, even hourly, new tools pop up. It’s a whole new world, every day, and it’s never boring.
How do you stay on top of trends so that you’re a go-to resource for your clients?
Mainly, we stay curious. We subscribe to blogs by the experts in various aspects of online marketing, and we watch how others use technologies and techniques to see how they might benefit our clients. We network via social media, and we utilize partners for highly specialized and deeply technical work.
How has Emma helped you grow?
Being able to offer a technically rich and visually stylish email platform like Emma makes our job easy. We especially appreciate the metrics that are built into Emma, because they help us to analyze what our clients’ readers are most interested in. It’s so much more than the “open rate;” we track every link and use the information to create more content like that.
Of course, we use Emma for our own marketing in the same ways we use it for our clients. We try to cross-pollinate between all the ways someone can encounter our brand — through our website, blog, email, social media, direct mail. We repurpose and revise to reach people in the way they want to be reached. We use all the social sharing options; haven’t used surveys yet, but soon!
Where do you draw inspiration?
Honestly, from our nonprofit clients — the combination of a tough economy and a mandate to spend donated dollars wisely makes it doubly important for nonprofit clients to be creative in how they reach people. They have to work really hard to understand what will move the public to get involved, to volunteer, to donate. The competition for philanthropic dollars is fierce. Luckily, technology has made it possible to reach a lot of people fast, like with email marketing and social media. We just have to get the messaging right.
Lastly (and maybe most importantly), what’s your karaoke song?
Well, I don’t do karaoke — but if I did, I could totally get behind Aretha Franklin’s version of “You Make Me Feel Like a Natural Woman.” I even accidentally sang to an entire Wendy’s restaurant because I didn’t realize the drive-through mic was on.
Each year, as part of our Emma 25 program, we award 25 nonprofits (sometimes more!) with an Emma account. The honorees receive a custom stationery design at no cost and free email service and surveys for life – or as long as they’d like. It’s a great way to recognize their hard work, and to provide them with the opportunity to easily communicate with their members and donors. Last winter marked the seventh year of Emma 25, and this month I’m checking in with three of the honorees to see how they’re using Emma to help others.
The Literacy Volunteers of Charlottesville/Albemarle in Virginia work to provide one-on-one, confidential tutoring in basic literacy and English as a second language to adults living or working in Charlottesville and Albemarle County.
Since being selected as an Emma 25 honoree in December, Jackie Bright says, “In just five months our distribution list has increased by 8% — nearly 100 new recipients (we have a small list, so this is huge).” Their emails campaigns are super successful, not to mention gorgeous — check out a recent one here — and their average open and click-through rates are around 26% and 9% respectively. Jackie adds that Emma has helped them provide better customer service and generate greater reach. She says, “We’ve been able to link all of our social marketing to this email, helping us cross-market and expose new people to our Facebook page and website.”
+ Visit their website
+ Check out their Facebook page
The Rape Crisis Center of Medina and Summit Counties in northeastern Ohio serves sexual assault victims and co-survivors. Education and awareness are two driving themes behind their mission to help others, and it’s important for them to get the word out quickly. Dana Zedak, who helps to plan and execute their email campaigns, says that Emma streamlines the sending process. Dana adds, “Any moment people hit reply and tell us that we ‘do good work’ or ask questions about our agency is a fantastic Emma moment. The more people associate our logo and our message with the work we do, the more clients will get to us and the more donors will give to us.” And their response numbers indicate that subscribers are receiving the message with open ears — or eyes, if you will. A recent email campaign had more than a 20% open rate.
+ Visit their website
+ Check out their Facebook page
Beginning as a community project, The Heart Gallery of Pinellas & Pasco is continuing to grow into a successful, independent organization. As an affiliate of The Heart Gallery of America, they display portrait galleries of local foster children who are awaiting adoption.
Their monthly newsletters and event updates reach more than 1,700 audience members and generate stellar 28% open and 21% click-through rates. Carol Hughes, Community Outreach Manager of The Heart Gallery, points out the value they place on stylishly adding images to their campaigns:
Our beautiful photos of children are used to promote an awareness of the need for adoption. The email layouts provided by Emma allow us to easily upload pictures for use in our newsletters, bulletins, announcements, etc. We are able to use various sizes of the images to accompany our publications, and we continue to receive comments about the quality of the photos in each campaign.
+ See a recent campaign
+ Visit their website
+ Check out their Facebook page
Want to learn more about Emma 25? Visit our list of the 2010 Emma 25 honorees, and stay tuned for details about this year’s program. We can’t wait for the submission process to begin this fall.
I’m a big fan of modern-day time traveling (I may or may not be currently seeking a DeLorean). But until I’m able to dial myself back to 1961, I take comfort in knowing that the Thunderbird Inn is ready for me whenever I’d like to make a reservation for “fifty years ago.” The Thunderbird Inn is a retro roadside motel billed as “the hippest hotel in Savannah.” It’s no stretch to imagine that simply checking in would transplant me into a universe of Beach Boys music, poodle skirts and dry martinis.
I’m not alone — in fact, we road-tripping time travelers are our own niche. And organizations are springing up to serve us. Take Travel Retro, for example, a newer travel site for folks in search of that nostalgic feeling. They’re the “Expedia” of vintage travel accommodations.
Travel Retro and the Thunderbird Inn: a match made in heaven, right? If I like one, I’m sure to be interested in the other. But how can they take advantage of their natural kinship?
Brands can be great friends
Travel Retro and the Thunderbird recognized that they could gain fans by working together. They may have already been using some tried-and-true methods to grow their audience lists, like website signup forms, the old fishbowl by the register, and the like, but how could they gain subscribers that knew about one company but not the other? They turned to the most social of online spaces: Facebook.
The Thunderbird Inn encouraged their fans to “like” Travel Retro, and, in turn, Travel Retro shared the Thunderbird Inn’s email newsletter with their fans. Simple, but effective.
I love this strategy. As a fan of the Thunderbird Inn, I’m happy to find out that a similar company “gets” me and my travel preferences. But if weren’t a fan of the Thunderbird, I may never have discovered Travel Retro.
How can you incorporate these tactics in your social strategy? Is there a company in your industry that’d make a natural partner? You may be surprised at how willing other companies are to align with you and cross-promote. Here are a few questions to ask yourself while you seek the right partners…
How can you find a partner brand to help grow your email list or Facebook fan base?
How can you make the most out of cross-promotions?
Of course, Facebook isn’t the only way you can work with partner brands to help one another grow. Try exchanging fishbowls in-store, making a call out to the Twitterverse, swapping ad spaces in your newsletters and more. If you could go back in time even just a year and lay the groundwork for these partnerships, think of how much more exposure you might have seen by now. On the other hand, one day you may find yourself wishing you could go back in time to today, so why not get started?
If you’ve had great success growing your fan base by partnering with other brands, let us know in the comments section.
Last week, I wrote a post for Emma Tech about our new API. It’s officially entered private beta (Yay-PI, I say!), and we’re excited to have thrown the door open to early adopters. For those who don’t spend their days staring at computer screens, juggling ones and zeroes, API stands for application programming interface, and it gives software developers the ability to access their Emma accounts outside of the browser, allowing them to integrate their own applications with Emma. If you’ve got a developer on your end who’d like to try it out, now’s a great time to sign up for the beta group.
However, if you’ve never thought about accessing Emma outside of its web interface and if you’ll never use the API, you might be wondering why it matters. As part of my team’s efforts, we’ve been converting the Emma app to the new API. Redesigning the architecture has taught us a lot about the challenges of the existing system, and we’re making enhancements that will create an improved experience for all of our customers, including faster email delivery, more robust audience searches and international character support. We’ll be sure to share more details over the coming weeks.
Check out my post for more information. And, if you’re feeling adventurous, please consider signing up for our beta tester program.
Sometimes I wonder if I was born wielding a pencil. I’ve always been a chronic doodler, and I don’t think I could go an entire day without some sort of mindless drawing or scribbling. And while it’s definitely a habit that comes in handy when I need to flesh out my ideas, it is, of course, only part of the process for creating a new design.
First things first: I simply can’t start designing in the morning without a cup (or three) of coffee and running through my RSS feed reader. Starting my day with 20 minutes of hot caffeine and some inspiring design blogs helps give me a fresh look at what I have on my plate.My schedule includes a wide variety of projects — so my process is flexible. The common thread, though, is the basic need to find a delicate balance between putting my nose to the grindstone and freeing my mind for more creative thinking. When it comes down to it, my design process always comes back to these four steps …
Before jumping into the actual concept and creation of the design, I like to research what my client does and find out what makes this particular brand special. Email design is of course a bit less in-depth than larger scale projects such as, for example, logo creation — but it’s still important to understand the identity of the brand your work will represent.
I typically start by clicking through the website and reading its content. I’ll check out their product, service and employee pages and maybe even take a look at competitors’ sites and offerings. This step doesn’t eat up much time, and the time spent is well worth it. Getting an accurate feel for who a client is and what they’re about can make or break a design.
This part of the process is my favorite. On one hand, it’s ongoing. Regardless of which project is in front of me, I’m always looking for inspiration: whether it’s a gem buried in my RSS feed, a trip to the flea market, a conversation with a friend or a weekend hike in the woods. As a designer, I think it’s crucial to be immersed in your environment and culture. You never know when a random experience will lend itself to an idea.
Of course, each design assignment has its own immediate, project-specific needs. If I’m stuck on an email design concept, my go-to hot-spots for a creative kick in the pants are Beautiful Email Newsletters and Smashing Magazine. I’ll also visit my favorite design sites (Design Work Life, The Best Designs, Felt and Wire, Mint Design Blog, and Swiss-Miss are some of my favorites), plus sites relevant to the client’s industry. This gives me a sense of what’s been done and where there is room for something new.Some designers prefer jumping right from the design request to the screen, but I find that I need that hand-to-paper part of the process — even though I don’t always have as much time for it as I’d like. Even if all I’m doing is sketching out how I plan to code an email, that visualization can sometimes save me from revisions or coding mistakes down the line. Sometimes, I let myself get into detailed drawings and ideas, but even when time is short, a quick sketch works in a pinch.
Once I have my concept in place, it’s time to jump in and get my hands dirty. I take all the various materials I’ve accumulated, the conversations with the client, inspirations and sketches, and I start putting the pieces together. All the previous leg work typically makes this part a fairly seamless one. When the design is ready to go, I code it, place it in the client’s account and answer any questions they might have.
If the client is unhappy with the design, or if I find myself stuck and just not certain with how things are turning out, I know my best bet is to don a thick skin and ask my colleagues and design friends for a quick critique. As a designer, it’s important not to take things too personally. Sometimes a client isn’t satisfied, and you have to be open to that criticism.
In those situations, listening is most important. Why isn’t the design satisfactory? Why doesn’t it achieve what the client was hoping? Is it a question of aesthetics or simply a miscommunication? Take the assessment and suggestions, ask your colleagues for their opinions and thoughts and head back to the drawing board.
Remember that creating a design for someone else’s brand is a chance to connect with another person, learn something new and make a little magic. And the best part of my job is that I get to do this every day with several clients. Every project is a new adventure.
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Being a member of Emma’s design team is a pretty great gig. It’s even better when we’re able to use our design chops to contribute something meaningful to our community. When the right opportunity comes along, we help nonprofits effectively communicate their mission to their target audience — and it feels great to be a part of something so valuable.
Last year at a local design conference, keynote speaker Tasha French wowed us with her passion and devotion to Nashville’s street newspaper, The Contributor, which she founded in 2007. Since then, Tasha has worked with a fantastic team, dedicated vendors and the Nashville community to turn The Contributor into the biggest street paper in North America.
Homeless and formerly homeless vendors sell and distribute the paper, which covers various aspects of homelessness and poverty in its monthly issues (although Tasha’s hope is to increase publishing frequency soon). Many of the Contributor vendors sustain themselves through this work, and more than 35% have gone from homeless to housed since they became vendors.
After meeting with Tasha to determine the best ways for us to help, the design team began working on a fundraising and awareness campaign to target Nashvillians and tourists alike. Together, we established a consistent aesthetic for the project, and each piece went to a different designer. Here, each one shares details about the work they did.
Project: Postcard
by Kelly McClain
The main push behind this entire campaign is to encourage supporters to not only buy the paper but to also read and enjoy it, since a lot of great work is put into publishing each issue – and ultimately, its long term success depends on readership.
To that end, we used actual vendors’ and readers’ comments about their favorites parts of the paper (in their own words – and even in their own handwriting). We also featured beautiful photographs, taken by Tasha, of the people we quoted. This gave the campaign a very personal feel, which we particularly loved for a newspaper that is sold face-to-face, person-to-person.
For the postcard, I made a stamp-like graphic with the simple phrase I read it, and gave it a weathered texture in a stand-out color. We wanted to create a look that was the right balance between clean and professional, but with a print feel (without getting too carried away with the street paper aspect).
Project: Email stationery
by Seth Wood
Collaborating with The Contributor over the past few months has allowed us to peek into the inner workings of the paper and see how it really affects change in the lives of its distributors. It’s affirmed the good that The Contributor is doing for our community, and I hope my piece of the project serves as a meaningful contribution to their campaign.
I was tasked with creating their new email stationery, which is fairly neutral in tone — its colors and textures are highly reminiscent of what one might see in an actual print publication (e.g. roughed edges and a slightly distressed texture). To keep continuity with the different designs, I repurposed some elements from other pieces of the campaign, such as a stylized version of The Contributor’s logo, parts of the footer and the image of a vendor.
Project: Poster
by Lauren Johnston
I am thrilled that we had the opportunity to work with The Contributor. As a team, we decided on a lot of the design concepts before we got started individually. For example, we agreed on font styles and a color scheme and then delegated the specific projects. I love that all the pieces are cohesive, but each one is unique to its designer’s style.
I created the poster, which was the perfect assignment for me. I crafted a vintage, collage sort of feel, and paired it with solid type treatments and plenty of white space to keep things easy on the eye.
The poster has a subtle newspaper background texture, and an actual vendor is highlighted on the front. In the top right portion, printed in the vendor’s own handwriting, it reads, “I read the Contributor about the issues that happen around us.” I cannot wait to see the whole campaign up around Nashville.
Project: Billboard
by Elizabeth Williams
I had the pleasure of working on the billboard design for The Contributor’s “I Read It” campaign. It was quite exciting for me as I’d never had the chance to design anything over five feet. It was a challenge, too, because its message had to be slightly different from the other pieces in the campaign.
According to conventional wisdom, a successful billboard consists of seven words or less, as people only have about 10 seconds to absorb your message — not an easy task. Because of that, we decided to change the message to a question: Do you read it? We really want viewers to ask themselves that question. Hopefully, they’ll think about about why they buy The Contributor and what value they place on it, and it may intrigue non-readers enough to pick up a copy next time they see a vendor.
Once we settled on the message, it was a matter of perfecting the typography — making sure it was legible, well-designed and consistent with the other campaign pieces. Along with the typography, I used one of Tasha’s photographs of Dunn, a Nashville vendor, who just happens to look as if he’s waving to the people passing by the billboard. Plus, he has such a genuine smile that his photo was really the ideal choice for the billboard design.
It was such a meaningful experience to work on a project that is making a difference in the lives of so many. When you care about a cause and your professional skills can help lift it up, it becomes your responsibility to do your part. We were fortunate to be able to take on this partnership with the folks at The Contributor, who so graciously trusted us with delivering their message.
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We enjoyed working together to create a campaign that The Contributor will use to spread awareness throughout Nashville and surrounding areas. And we hope you’ve learned a bit about our design team’s process and enthusiasm for this project. We’d love to hear about other nonprofits that are making a difference in your community.
Do you love The Contributor as much as we do? Support it here.
Emma is a member of the Email Sender & Provider Coalition and the Messaging Anti-Abuse Working Group.
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